SOP.M
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중앙이코노미뉴스
oongangenews
J
Matière
이란의 균열은 마티에르인가,
세계는 지금 거칠게 그려지고 있다
캔버스 위에 두껍게 올린 물감과 재료는
표면을 거칠게 만든다.
붓과 나이프의 흔적은
오랜 시간의 몰입 속에서 층을 이루고,
마침내 그것은 하나의 지형처럼 솟아오른다.
회화에서 이런 방식을 마티에르(impasto)라고 한다.
물감을 두껍게 올려
표면에 질감과 깊이를 만드는 기법이다.
캔버스 위의 거친 물감이
결국 하나의 풍경을 완성하듯
인류의 역사도 늘 그렇게 완성되어 왔다.
Is Iran’s Fracture a Matière?
The Matière Unfolding on Iran’s Canvas
Is the fracture in Iran a matière? The world is being painted roughly now.
When thick layers of paint and material are placed upon a canvas, the surface becomes rough.
The traces of brushes and knives, poured into the work over long hours, rise like a landscape.
In painting, this technique is called matière (impasto)—a method of applying paint thickly to create texture and depth on the surface.
Just as rough layers of paint eventually form a landscape on the canvas,
human history has always been completed in much the same way.
Up close, it appears chaotic.
But when we step back, those rough layers support one another and finally become a single work of art.
'공항의 품격', 국가는 표면에서 완성된다
14시간을 건너 도착한 곳, 스페인.
공항을 나서자마자 눈에 들어온 것은
수많은 오토바이였다.
코블스톤(cobblestone : Cobblestone :
유럽을 상징하는 오래된 돌길)의 골목과
좁은 도시 구조는 자동차보다
오토바이를 더 자연스러운 선택으로 만든다.
이곳의 풍경은
오랜 시간 위에 쌓인 생활 방식이었다.
Cobblestone
“The Dignity of an Airport” — A Nation Is Completed on Its Surface
A nation reveals itself on the surface.
Not through declarations, not through ideology—but through what is quietly seen.
Airports are the first encounter. Before language, before explanation,
there is space, structure, and order. In Europe,even the smallest details speak.
Cobblestone streets, narrow paths shaped by time,
a rhythm where motorcycles feel more natural than cars.
Nothing is excessive.
Nothing is accidental.
Everything exists as a continuation of history.
But surface is not superficial.
It is the result of accumulation.
Time, discipline, and invisible choices layered upon one another.
A faucet, a public space, a passage between terminals— these are not just functions.
They are expressions.
And in that expression, a nation completes itself.
Because what is truly built is not infrastructure — but perception.
역사를 흐르는 예술은 언제나 하나였다
'싹수는 노랗게, 가능성은 새롭게'
29일 동안의 유럽에는 부활절이 있었다.
우리는 오래도록 '싹수가 노랗다'는 말을
가능성의 끝으로 배워왔다.
그러나 그 노란 빛은 정말 끝이었을까?
빛을 먼저 드러낸 존재를 향한 조롱과 견제,
그리고 집단이 만들어낸 언어의 습관은
하나의 가능성을 너무 쉽게 지워왔다.
빛은 혼자 존재하지 않는다.
어둠이 있어야 드러난다.
'키아로스쿠로(Chiaroscuro)'는
빛과 어둠의 대비를 뜻하는 이탈리아어다.
Yellow from the Start?
We’ve been taught
that this phrase means the end.
A life with no potential, a conclusion already written.
But… is it?
Why has yellow— the color of light— become a language of doubt?
Toward those who reveal their light first, there’s always ridicule,
resistance, and endless reinterpretation.
I walked across Europe for 29 days. In Rome— the Colosseum.
Thousands of years of time, holding the choices and traces of humanity.
History…
has never been silent.
And in Barcelona—Plaça de Sant Jaume. A place where power meets its people.
A language of the present, still unfolding.
Then, Antoni Gaudí. His architecture was not understood at first.
Too early.
Too different.
But in the end— he left behind light.
And in Rome, the MACRO Museum.
There, I met Stefano Scipioni.
Different languages, different timelines— yet we stood
before the same question:
“What… remains?” And in that moment,
I understood.
“Yellow from the start” was never the end.
It was the first signal of light.
Histories were different—but what flows between them is one.
A sensibility that never disappears, only changes form.
We call it—
Art.
비어 있어서는 안 될 종이 한 장
거대한 전시관에 사람들이 몰려들었다. 사람들은 그림을 보기 위해 그곳을 찾는다.
누군가는 감탄하기 위해, 누군가는 위로받기 위해, 또 누군가는 자신도 몰랐던 질문의 답을 찾기 위해.
작품 앞에 선 사람들은 저마다 다른 이유로 그림을 바라본다.
누군가는 감탄하고, 누군가는 의미를 해석한다.
어떤 이는 그림 속 색채를 읽고, 또 다른 이는 화가가 남긴 흔적을 바라본다.
그런데 이날 전시관을 찾은 사람들은 어딘가 이상한 표정으로 서 있었다.
벽에는 액자가 걸려 있었지만, 그 안에는 아무것도 없었다.
작품도, 그림도, 설명도 없었다. 텅 빈 공간만 남아 있었다.
사람들은 물었다. "그림은 어디 있습니까?"
A Sheet of Paper That Should Never Have Been Blank
A vast exhibition hall was filled with visitors.
People had come to see the paintings.
Some came to be inspired.
Some came in search of comfort.
Others came hoping to find answers to questions they had never been able to put into words.
Each person stood before the artworks for a different reason.
Some admired them.
Some searched for their meaning.
Some were drawn to the colors.
Others traced the silent marks left by the artist's hand.
Yet on this particular day, something felt strangely different.
The frames still hung on the walls.
But inside them, there was nothing.
No paintings.
No artwork.
No descriptions.
Only empty space.
Confused, the visitors began to ask,
"Where are the paintings?"
They are the people
who shape tomorrow.
I call them people with CQ.
IQ와 EQ를 넘어서 제3의 지능
IQ는 문제를 해결하는 능력이다. EQ는 사람을 이해하는 능력이다. 하지만 미래를 만드는 사람에게는 또 하나의 지능이 필요하다.
내게 그것은 CQ(Creative Quotient)다.
존재하지 않는 것을 먼저 상상하고, 오지 않은 시간을 본능적 감각으로 이미 준비하며, 위기 속에서도 두려움보다 가능성을 먼저 발견하는 능력, 그것이 창조적 사고의 본질이고 내가 생각하는 크리에이터의 본질이다.
새로운 것을 만들어내는 것을 넘어, 아무도 선택하지 않은 길을 선택하고, 실행하며, 결국 새로운 결과를 만들어내는 사람.
나는 그런 사람을 CQ를 가진 사람이라고 부르고 싶다.
Beyond IQ and EQ: The Third Intelligence
IQ is the ability to solve problems.
EQ is the ability to understand people.
But those who shape the future require another kind of intelligence.
To me, that is CQ — Creative Quotient.
It is the ability to imagine what does not yet exist, to instinctively prepare for a future that has not yet arrived, and to discover possibilities before fear takes hold in moments of uncertainty.
That is the essence of creative thinking.
That is what I believe defines a true creator.
A creator is not merely someone who invents something new.
It is someone who chooses a path no one else has chosen, acts on it with conviction, and ultimately creates a new reality.
I call such people individuals with CQ.
소통의 메아리
파문은 물 위에서 시작되지만, 관계는 마음에서 시작된다
ai
우리는 그 어느 시대보다 많은 소통 플랫폼을 가지고 있다.
그러나 플랫폼은 사람을 연결했을 뿐,
마음까지 연결하지는 못했다.
연결은 넘쳐나는데 이해는 부족하고,
말은 많아졌지만 대화는 줄어들었다.
.
.
많은 말을 주고받는데도
사람들은 점점 더 소통하지 못한다고 느낀다.
연결은 넘쳐나는데 이해는 부족하고,
말은 많아졌지만 대화는 줄어들었다.
알고리즘은 듣고 싶은 이야기만 반복해서 보여주고,
우리는 어느새 다른 생각을 이해하기보다
자신의 생각을 확인받는 데 익숙해졌다.
나는 오래전부터 원을 그려왔다.
누군가는 그것을 추상이라 했고, 누군가는 파문이라 불렀다.
그러나 내게 그 원은 형태가 아니라 관계였다.
사람과 사람 사이를 보이지 않게 이어주는 마음의 흔적이었다.
Ripples Begin on Water,
Relationships Begin in the Heart
We have more platforms for communication than at any other time in history.
Yet these platforms have connected people
without necessarily connecting their hearts.
We are surrounded by connections, yet short on understanding.
We speak more than ever, yet somehow, we converse less.
.
.
.
Despite exchanging countless words,
people increasingly feel that genuine communication is slipping away.
We are more connected,
yet less understood.
There are more words, but fewer conversations.
Algorithms keep showing us what we already want to hear,
and somewhere along the way,
we have grown more accustomed to having
our own beliefs affirmed than to understanding
those who think differently.
I have been drawing circles for many years.
Some have called them abstractions; others, ripples.
But to me, the circle was never merely a form.
It was a relationship
a trace of the heart, invisibly connecting one person to another.
플랫폼은 세상을 보여주는
창
Window
창의 크기와 방향,
무엇을 열고 닫느냐에 따라 보이는 풍경은 달라진다
우리는 오랫동안 그 창을 통해 선택된 세상을 바라봐 왔다.
그리고 지금, 우리가 현실이라고 믿는 세상은
플랫폼이 열어 준 창의 크기만큼만 보이는 것은 아닐까.
AI에는 'Hallucination'이라는 용어가 있다.
존재하지 않는 것을 사실처럼 생성하는 오류를 뜻한다.
이는 악의가 아니라, 답을 만들어내는 과정에서 발생하는
기술적 한계, 확률적으로 가장 그럴듯한 답을 생성하는 과정에서
때때로 현실과 다른 이야기를 만들어 낸다.
그런데 정작 우리가 직면한 것은 AI가 아니라 휴먼 헐루시네이션(Human Hallucination)인지도 모른다.
의학적 환각이 아니라, 반복적으로 보여주는 알고리즘의 정보와 감정,
그리고 집단의 확신이 사실보다 먼저 현실이 되어 버리는 인지적 착각이다.
현실을 있는 그대로 받아들이지 못하고,
반복적으로 보여주는 사회적 분위기와 현상을 믿고 보는 세상에 살고 있다.
AI의 환각은 기술의 오류다. 그러나 인간의 환각은 사회의 오류다.
심리학에서는 이를 '착각적 진실 효과(Illusory Truth Effect)'와 '확증편향(Confirmation Bias)' 등으로 설명한다.
인간의 뇌는 언제나 진실보다 효율을 먼저 선택한다.
Platforms Are
Windows to the World
The view changes with the size and
direction of the window,
and with what we choose to open or close
For a long time, we have looked at the world through that window
a world already selected for us. And now,
perhaps what we believe to be reality is only as wide as the window the platform has chosen to open.
In AI, there is a term called “hallucination.”
It refers to an error in which something that
does not exist is generated as though it were fact.
It is not an act of deception,
but a technical limitation: in the process of producing the most statistically plausible answer,
AI can sometimes create something that does not
correspond to reality.
But perhaps the hallucination we should be looking
at is not only artificial.
Perhaps it is Human Hallucination.
Not hallucination in the medical sense,
but a cognitive illusion in which information
and emotions repeatedly presented by algorithms
and convictions reinforced by the group
begin to feel real before facts have had a chance to speak.
We increasingly live in a world where reality is not simply
encountered as it is. Instead, our perception of it is shaped by what is repeatedly shown to us,
by the atmosphere around us,
and by what others have come to believe.
AI hallucination is a technological error.
Human hallucination is a social one.
Psychology offers concepts that
help explain this phenomenon,
including the Illusory Truth Effect and Confirmation Bias.
The human brain does not always choose truth first.
Very often, it chooses efficiency.
Through Yoon Mi-kyung’s Lens
윤미경의 세상돋보기
An 9-part column series offering unique perspectives on society, culture, and humanity
2023 - 2024 View All 9 Columns
A Critical Moment to Reform the Media’s Corrupt Practices
지금은 미디어 폐습을 고칠 절호의 기회다
NZ (Newsy Zoom) looks at the Saemangeum World Scout Jamboree
뉴줌(NZ-Newsy zoom)이 바라본 '새만금 세계스카우트 잼버리'
The NZ-Wave: Clear Waters to Wash Away the Chain Effects and Malicious Codes of Bad Media
Ash falling into a glass of water cannot simply be picked out—if you try, you throw away the water itself. Yet if fresh, clear water is poured into the glass, the answer reveals itself. Humanity, though faced with crises born of danger, has always overcome them. Now is the moment to turn this crisis into an opportunity.
With the intimacy of truth well defined, may clear and healthy media spread through the Newsy Zoom (NZ), flowing like pure water.
나쁜 미디어의 연쇄효과 및 악성코드를 뒤덮을 맑은 물의 뉴줌웨이브(NZ- wave)
Baku is now hosting the ISSF World Shooting Championships!
The ISSF World Shooting Championships, held every four years (in between the Summer Olympics), is a truly smart competition built upon rules, order, and the spirit of sportsmanship, conducted in a well-structured and disciplined environment.
The 300-meter long-distance event was particularly captivating. The thrill of hitting a faraway target with a rifle created a spectacular scene. Hearing the resounding gunshots reminded me of how powerful and solemn such sounds can be.
Every event begins with a heartbeat. Within that pulse at the starting point lies deep earnestness.
Source: OBC The One Broadcasting
바쿠는 지금 'ISSF 세계사격대회'가 한창이다!
The shadow of pain turned into a “sword dance” and began to move as “Seungmu.”
The prison of the new normal is called COVID-19, while the ecosystem of coexistence carries the crime of “brainwashing” by the media. Its primary victims are the “weak” and the “students.”
The “new normal,” a term first used to describe the global economic landscape after the 2008 financial crisis, came to signify the “changes of a new era” during the COVID-19 pandemic in 2020.
The weak and the students, having lost part of their experiences to COVID-19, now step into society with faltering, acrobatic feet. What, then, is happening to them?
아픔의 그림자는 '칼춤'이 되어 '승무'를 추기 시작했다.
Tetris, the legendary puzzle game
was created in 1984 in Russia (then the Soviet Union). The “Top 3” rumors surrounding Tetris were as follows:
-
“It was designed to addict American youth.”
-
“It was created to help dismantle the Soviet Union.”
-
“It was the Soviet Union’s latest and most successful weapon to addict American citizens to gaming.”
These false rumors, once revealed, sparked laughter as the truth came to light.
테트리스의 구설수 'TOP3'
SBOM, unlike lip balm, is the essential shield for today’s digital ecosystem
Unlike lip balm, which only protects your lips, SBOM (Software Bill of Materials) is a security specification designed to safeguard software. Both the EU and the U.S., along with Europe’s digital market, are now requiring SBOM documentation for devices sold, strengthening cybersecurity across the board.
No more protecting only the lips with lip balm! What we need now is strong security policies for the computers and smart devices that have become extensions of our own bodies. In this new normal era, SBOM is not optional—it is an essential layer of defense to protect against the risks seeping into our daily lives, helping us establish a faster and more robust security framework.
립밤도 아닌 에스밤은 바르는 밤일까? 늦은 밤일까? 먹는 밤일까?
It is now time for Newsy Zoom (NZ) to lead harmonious change
When it comes to youth and women, the focus should not be on dividing talents, but on providing fair distribution and opportunities for growth in their abilities. The media should actively and fairly support the next generation, presenting visions and innovations for Korea. Politics, in turn, must offer a sustainable blueprint for the future and foster voluntary social contributions.
It is now time for a new performance of Newsy Zoom (NZ), one that leads harmonious change.
청년과 여성정책 / 뉴줌(NZ-Newsy zoom)의 입장에서 청년과 여성정책에 대해
Human rights are not an ornament. They are inalienable rights that must always be protected
Human rights are the fundamental rights that must be protected. Freedom is not a violation.
Human rights are not an ornament.
They are not something to be forgotten,
but the inherent and inalienable rights that must always be upheld and protected.
인권이란 보호받아야 되는 당연한 기본권이자 권리
Welcome to
SOP.M
As the page ends, the journey continues.
Sophia’s art awaits you, always
