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20

26 

중앙이코노미뉴스  

oongangenews

J

Matière
이란의 균열은 마티에르인가,
세계는 지금 거칠게 그려지고 있다

캔버스 위에 두껍게 올린 물감과 재료는

표면을 거칠게 만든다.

붓과 나이프의 흔적은

오랜 시간의 몰입 속에서 층을 이루고,

마침내 그것은 하나의 지형처럼 솟아오른다.

회화에서 이런 방식을 마티에르(impasto)라고 한다.

물감을 두껍게 올려

표면에 질감과 깊이를 만드는 기법이다.

캔버스 위의 거친 물감이

결국 하나의 풍경을 완성하듯

인류의 역사도 늘 그렇게 완성되어 왔다.

Is Iran’s Fracture a Matière?

The Matière Unfolding on Iran’s Canvas

Is the fracture in Iran a matière? The world is being painted roughly now.

When thick layers of paint and material are placed upon a canvas, the surface becomes rough.

The traces of brushes and knives, poured into the work over long hours, rise like a landscape.

In painting, this technique is called matière (impasto)—a method of applying paint thickly to create texture and depth on the surface.

Just as rough layers of paint eventually form a landscape on the canvas,

human history has always been completed in much the same way.

Up close, it appears chaotic.

But when we step back, those rough layers support one another and finally become a single work of art.

Through Yoon Mi-kyung’s Lens

윤미경의 세상돋보기

An 9-part column series offering unique perspectives on society, culture, and humanity

2023 - 2024 View All 9 Columns

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